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$\"Martin$ <\/a><\/p>\n

Martin L. Gore, Counterfeit^{2<\/sup>
\nMute, cd 2003<\/h3>\n[dropcap]T[\/dropcap]att i betraktning at Gore p\u00e5 mange m\u00e5ter er den drivende, kreative, musikalske kraften bak Depeche Mode; er det egentlig litt pussig at han ikke har involvert seg s\u00e6rlig i sideprosjekter eller en solokarriere. Depeche Mode har ikke v\u00e6rt det mest produktive bandet de siste ti \u00e5rene, derfor burde det ha v\u00e6rt rikelig tid for Gore til \u00e5 utvikle andre sider av seg selv som musiker og komponist p\u00e5 egenh\u00e5nd.<\/strong><\/p>\n
N\u00e5r han n\u00e5 endelig finner tiden moden for \u00e5 komme med solodebut i langformat – «Counterfeit» (1989) var kun en EP -, er det derfor litt overraskende for meg at han velger \u00e5 gj\u00f8re et coveralbum. Coveralbum er med f\u00e5 unntak d\u00e5rlige sjakktrekk, og ofte utf\u00f8rt av artister som har sett sine beste dager kreativt s\u00e5 vel som kommersielt. Det er imidlertid lite som tyder p\u00e5 at Gore er p\u00e5 hell som komponist (selv om «Exciter» var noe av en skuffelse, n\u00e5r sant skal sies), s\u00e5 jeg velger \u00e5 tro han gj\u00f8r disse l\u00e5tene av \u00e6rlig hjerte.<\/p>\n
Utvalget l\u00e5ter som er foretatt fremst\u00e5r sikkert b\u00e5de fremmed og overraskende for mange. For egen del skal jeg innr\u00f8mme at det er f\u00e5 av disse elleve sporene jeg har n\u00e6re, personlige forhold til. Derfor er det ogs\u00e5 vanskelig \u00e5 bed\u00f8mme hvorvidt Gore gj\u00f8r en heldig figur eller ikke med sine tolkninger. Strengt tatt er det kun Nick Caves «Loverman», Kurt Weils «Lost In The Stars» og The Velvet Undergrounds «Candy Says» som sorterer under riktig gode, gamle bekjentskaper i mine h\u00f8ytalere.<\/p>\n
«Counterfeit^{2<\/sup>» er lyden av tung, slepende, bluesy elektronika. Mye m\u00f8rk melankoli, veldig lite som er direkte fengende. Et p\u00e5 sett og vis diskret uttrykk, understreket av Gores tilbaketrukne vokal. Albumet b\u00e6rer sterkt preg av \u00e5 v\u00e6re en gjennomtenkt helhet, sydd sammen av en artist som har dyp respekt for l\u00e5tene han tolker. Albumet er en behagelig lytt, men det er ogs\u00e5 en litt kjedelig<\/em> lytt. Det flyter bed\u00f8vende forbi, uten helt \u00e5 gripe tak, uten de riktig store h\u00f8ydepunktene.<\/p>\n}
For tilhengere av Depeche Mode er «Counterfeit^{2<\/sup>» av selvsagt interesse, s\u00e5 veldig mange andre vil neppe finne s\u00e6rlig spenning her. Beste \u00f8yeblikk, beste tips for pr\u00f8velytt, er «I Cast A Lonesome Shadow» (Hank Thompson). I den hviler en nerve og melodi\u00f8sitet som dessverre er litt for frav\u00e6rende albumet totalt h\u00f8rt.<\/p>\n}
TRACKS<\/h4>\nIn My Time Of Dying \/ Stardust \/ I Cast A Lonesome Shadow \/ In My Other World \/ Loverman \/ By This River \/ Lost In The Stars \/ Oh My Love \/ Das Lied Vom Einsamen M\u00e4dchen \/ Tiny Girls \/ Candy Says<\/p>\n
Produsert av Andrew Phillpott og Paul Freegard<\/p>\n
[hr]<\/p>\n","protected":false},"excerpt":{"rendered":"
Tatt i betraktning at Gore p\u00e5 mange m\u00e5ter er den drivende, kreative, musikalske kraften bak Depeche Mode; er det egentlig litt pussig at han ikke har involvert seg s\u00e6rlig i sideprosjekter eller en solokarriere.<\/p>\n","protected":false},"author":2,"featured_media":4229,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,3],"tags":[217,15,42,581,218,5],"class_list":["post-4228","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-album","category-musikk","tag-depeche-mode","tag-electronic","tag-england","tag-martin-l-gore","tag-mute","tag-synth"],"_links":{"self":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/4228","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/comments?post=4228"}],"version-history":[{"count":1,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/4228\/revisions"}],"predecessor-version":[{"id":4239,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/4228\/revisions\/4239"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/media\/4229"}],"wp:attachment":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/media?parent=4228"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/categories?post=4228"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/tags?post=4228"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}}