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{"id":3422,"date":"2008-07-27T02:27:49","date_gmt":"2008-07-27T00:27:49","guid":{"rendered":"http:\/\/www.indiestadt.net\/?p=3422"},"modified":"2015-07-25T02:37:43","modified_gmt":"2015-07-25T00:37:43","slug":"nytt-fra-the-pretenders","status":"publish","type":"post","link":"https:\/\/www.indiestadt.net\/2008\/07\/nytt-fra-the-pretenders\/","title":{"rendered":"Nytt fra The Pretenders"},"content":{"rendered":"<p><a href=\"http:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/the_pretenders_break_up_the_concrete.jpg\" data-rel=\"lightbox-gallery-27RpjFej\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" data-src=\"http:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/the_pretenders_break_up_the_concrete.jpg\" alt=\"The Pretenders, Break Up The Concrete\" width=\"900\" height=\"900\" class=\"aligncenter size-full wp-image-3423 lazyload\" data-srcset=\"https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/the_pretenders_break_up_the_concrete.jpg 900w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/the_pretenders_break_up_the_concrete-150x150.jpg 150w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/the_pretenders_break_up_the_concrete-300x300.jpg 300w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/the_pretenders_break_up_the_concrete-768x768.jpg 768w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/the_pretenders_break_up_the_concrete-160x160.jpg 160w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/the_pretenders_break_up_the_concrete-320x320.jpg 320w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/the_pretenders_break_up_the_concrete-520x520.jpg 520w\" data-sizes=\"(max-width: 900px) 100vw, 900px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 900px; --smush-placeholder-aspect-ratio: 900\/900;\" \/><\/a><\/p>\n<p>[dropcap]M[\/dropcap]<strong>ellom sine sysler som dyrerettsaktivist og eier av vegetarrestaurant, hender det seg at Chrissie Hynde rydder rom og tid til nytt album. Det har passert seks \u00e5r siden forrige, &laquo;Loose Screws&raquo;, en utgivelse gitt jevnt over gode kritikker, uten at det p\u00e5virket salget i storveis retning.<\/strong><\/p>\n<p>The Pretenders har alltid, i det minste fra og med tredjealbumet &laquo;Learning To Crawl&raquo; (1984), v\u00e6rt synonymt med Chrissie Hynde. Etter en periode p\u00e5 n\u00e6r femten \u00e5r med samme besetning, er det igjen tid for et nytt The Pretenders. P\u00e5 det kommende albumet er James Walbourne, Eric Heywood, Nick Wilkinson og Jim Keltner den kvartett som backer Hynde.<\/p>\n<p>&laquo;Break Up The Concrete&raquo;, som blir lansert av Shangri-La Music den 23. september, virker v\u00e6re et album gjort mer av overskudd og lyst enn \u00f8nske om \u00e5 gjenerobre de store massene. Spilt inn i l\u00f8pet av ti sm\u00e5 dager og som resultat <em>&#8216;a stripped down roots album, pure and raw&#8217;<\/em>, skal vi tro presseskrivet. Hvilket dels kan forklare at Hynde denne gang har samlet nye herremenn \u00e5 jobbe med, musikere som i kanskje st\u00f8rre grad enn det tradisjonelle The Pretenders har fot og f\u00f8lelse for det sound &laquo;Break Up The Concrete&raquo; lover.<\/p>\n<p>Heller ikke Hynde har det g\u00e5tt hus forbi at v\u00e5r digitale virkelighet \u00e5pner for smart markedsf\u00f8ring. Hver uke frem mot utgivelse p\u00e5 fysisk format kan et nytt kutt lastes ned gratis via bandets offisielle hjemmeside. Det betyr at hele albumet kan samles inn skritt for skritt de kommende m\u00e5nedene, helt kostnadsfritt. F\u00f8rste tittel, &laquo;Boots Of Chinese Plastic&raquo;, har v\u00e6rt tilgjengelig fra og med den 22. juli. Denne for \u00f8vrig kjapp og glad rufserock som gir grei mersmak. <\/p>\n<p>[hr]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mellom sine sysler som dyrerettsaktivist og eier av vegetarrestaurant, hender det seg at Chrissie Hynde rydder rom og tid til nytt album. Det har passert seks \u00e5r siden forrige, &laquo;Loose Screws&raquo;&#8230;<\/p>\n","protected":false},"author":2,"featured_media":3423,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39,3],"tags":[128,526,42,10,74,525],"class_list":["post-3422","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aktuelt","category-musikk","tag-alternative-rock","tag-chrissie-hynde","tag-england","tag-new-wave","tag-rock","tag-the-pretenders"],"_links":{"self":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/3422","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/comments?post=3422"}],"version-history":[{"count":1,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/3422\/revisions"}],"predecessor-version":[{"id":3424,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/3422\/revisions\/3424"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/media\/3423"}],"wp:attachment":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/media?parent=3422"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/categories?post=3422"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/tags?post=3422"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}