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{"id":3373,"date":"2008-02-04T22:47:44","date_gmt":"2008-02-04T21:47:44","guid":{"rendered":"http:\/\/www.indiestadt.net\/?p=3373"},"modified":"2015-07-24T22:53:46","modified_gmt":"2015-07-24T20:53:46","slug":"eyeless-in-gaza-om-igjen","status":"publish","type":"post","link":"https:\/\/www.indiestadt.net\/2008\/02\/eyeless-in-gaza-om-igjen\/","title":{"rendered":"Eyeless in Gaza om igjen"},"content":{"rendered":"<p>[dropcap]M[\/dropcap]<strong>artyn Bates og Peter Becker formet Eyeless In Gaza i Nuneaton, England i 1980. Siden har de to, med unntak for en pause i \u00e5rene ca. 1987 til 1993, samlet en stor katalog musikk hvis innhold aldri har blitt h\u00f8rt av flere enn ganske f\u00e5. Ikke fordi Eyeless In Gazas musikk er s\u00e6rskilt s\u00e6r, men kanskje er uten det helt direkte trekk som kunne f\u00e5tt flere til \u00e5 lytte.<\/strong><\/p>\n<p>Fundamentet har ofte v\u00e6rt elektronisk, uten at dette f\u00e5r musikken til \u00e5 fremst\u00e5 kj\u00f8lig. For s\u00e5 ymse av instrumenter finner gjerne plass i duoens musikk, med varm, stemningsmettet og utpreget britisk landsbygd som resultat. Vemodig h\u00f8st, om du vil. <a href=\"http:\/\/www.indiestadt.net\/2009\/02\/rust-red-september\/\">&laquo;Rust Red September&raquo;<\/a> (1983) og &laquo;Back From The Rains&raquo; (1986) var to fors\u00f8k p\u00e5 kompromiss og \u00e5 rekke ut hender, uten at s\u00e5 mange tok dem. Etter disse og frav\u00e6r i seks \u00e5r, mistet Eyeless In Gaza s\u00e5 definitivt muligheten til bredere aksept. Fra 1993 og opp til i dag, har de v\u00e6rt forbeholdt en liten krets trofaste tilhengere.<\/p>\n<p><a href=\"http:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/eyeless_in_gaza_i_02.png\" data-rel=\"lightbox-gallery-0CasPZr7\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" data-src=\"http:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/eyeless_in_gaza_i_02.png\" alt=\"Eyeless in Gaza\" width=\"757\" height=\"248\" class=\"aligncenter size-full wp-image-3375 lazyload\" data-srcset=\"https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/eyeless_in_gaza_i_02.png 757w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/eyeless_in_gaza_i_02-300x98.png 300w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/eyeless_in_gaza_i_02-520x170.png 520w\" data-sizes=\"(max-width: 757px) 100vw, 757px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 757px; --smush-placeholder-aspect-ratio: 757\/248;\" \/><\/a><\/p>\n<p>Eyeless In Gazas selskap i \u00e5rene 1980-86, det \u00e6rverdige Cherry Red Records, vil i forbindelse med sitt tredve\u00e5rsjubileum re-lansere en rekke av duoens tidlige album. &laquo;Rust Red September&raquo; har tidligere f\u00e5tt tilsvarende behandling, og fra og med februar vil &laquo;Photographs As Memories&raquo; (1981), &laquo;Caught In Flux&raquo; (1981) &#8211; inkl. ep&#8217;n &laquo;The Eyes Of Beautiful Losers&raquo; &#8211; , &laquo;Drumming The Beating Heart&raquo; (1982) og &laquo;Pale Hands I Loved So Well&raquo; (1982) &#8211; begge disse samlet p\u00e5 \u00e9n cd &#8211; , og &laquo;Back From The Rains&raquo; (1986) bli gjort tilgjengelige.<\/p>\n<p>Verdt et lite ekstra notat er &laquo;Pale Hands I Loved So Well&raquo;. Dette ble opprinnelig utgitt av norske Uniton (Holy Toy, Fra Lippo Lippi, Svart Klovn m.fl.) og var i England \u00e5 f\u00e5 kun via import; et faktum som gj\u00f8r at en nyutgivelse av akkurat det albumet blir m\u00f8tt med ekstra glede av britiske fans.<\/p>\n<p><strong>Se <a href=\"http:\/\/www.eyelessingaza.com\/\" target=\"_blank\">www.eyelessingaza.com<\/a> for mer informasjon.<\/strong><\/p>\n<p>[hr]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Martyn Bates og Peter Becker formet Eyeless In Gaza i Nuneaton, England i 1980. Siden har de to, med unntak for en pause i \u00e5rene ca. 1987 til 1993, samlet en stor katalog musikk hvis innhold&#8230;<\/p>\n","protected":false},"author":2,"featured_media":3374,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"image","meta":{"footnotes":""},"categories":[39,3],"tags":[516,15,42,270,187,10,9,4,35],"class_list":["post-3373","post","type-post","status-publish","format-image","has-post-thumbnail","hentry","category-aktuelt","category-musikk","tag-cherry-red","tag-electronic","tag-england","tag-eyeless-in-gaza","tag-folk","tag-new-wave","tag-pop","tag-post-punk","tag-uniton","post_format-post-format-image"],"_links":{"self":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/3373","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/comments?post=3373"}],"version-history":[{"count":1,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/3373\/revisions"}],"predecessor-version":[{"id":3376,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/3373\/revisions\/3376"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/media\/3374"}],"wp:attachment":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/media?parent=3373"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/categories?post=3373"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/tags?post=3373"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}