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{"id":2310,"date":"2008-10-17T20:13:30","date_gmt":"2008-10-17T18:13:30","guid":{"rendered":"http:\/\/www.indiestadt.net\/?p=2310"},"modified":"2015-07-08T20:21:35","modified_gmt":"2015-07-08T18:21:35","slug":"sketch-for-summer","status":"publish","type":"post","link":"https:\/\/www.indiestadt.net\/2008\/10\/sketch-for-summer\/","title":{"rendered":"Sketch for Summer"},"content":{"rendered":"<p><a href=\"http:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/the_durutti_column_the_best_of.jpg\" data-rel=\"lightbox-gallery-Zh3j7mKW\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img decoding=\"async\" data-src=\"http:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/the_durutti_column_the_best_of.jpg\" alt=\"The Durutti Column, The Best Of\" width=\"720\" height=\"720\" class=\"aligncenter size-full wp-image-2311 lazyload\" data-srcset=\"https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/the_durutti_column_the_best_of.jpg 720w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/the_durutti_column_the_best_of-150x150.jpg 150w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/the_durutti_column_the_best_of-300x300.jpg 300w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/the_durutti_column_the_best_of-160x160.jpg 160w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/the_durutti_column_the_best_of-320x320.jpg 320w, https:\/\/www.indiestadt.net\/wp-content\/uploads\/2015\/07\/the_durutti_column_the_best_of-520x520.jpg 520w\" data-sizes=\"(max-width: 720px) 100vw, 720px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 720px; --smush-placeholder-aspect-ratio: 720\/720;\" \/><\/a><\/p>\n<h3>The Durutti Column, The Best Of<br \/>\nWEA, 2cd 2004<\/h3>\n<p>[dropcap]T[\/dropcap]<strong>he Durutti Column har i alle \u00e5r v\u00e6rt gitarist og pianist Vini Reillys lille lekegrind, ofte med bistand fra faste som tilfeldige partnere men i sum alltid Reillys musikalske visjon.<\/strong><\/p>\n<p>Denne henter elementer fra klassisk musikk, jazz, folk, pop, elektronika og helt sikkert ganske mye annet, helst i det lavm\u00e6lte lune og med vekt p\u00e5 instrumentaler. Vi kan, for \u00e5 gj\u00f8re det enkelt, kalle det post-rock; og det lenge f\u00f8r den sjanger \/ det begrep ble realitet.<\/p>\n<p>&laquo;The Best Of&raquo; &#8211; hvilken uggen og fabul\u00f8st fantasil\u00f8s tittel for et navn av The Durutti Columns kaliber &#8211; triller tredve kutt i pen kronologi fra 1979 til 2003. Noe tipper i retning muzak, men i all hovedsak vekker Reillys smarte komposisjoner og fortryllende gitarer en f\u00f8lelse av nysgjerrig velbehag. Kicks for fredag aften er det f\u00e5 av, da er heller formiddagstoner for s\u00f8kende s\u00f8ndager en mer korrekt varedeklarasjon.<\/p>\n<p>Som utgivelse er &laquo;The Best Of&raquo; pen og innbydende, med hva vi forlanger av en booklet samt pluss i marg for Reillys knappe og dels syrlige kommentarer til sine egne l\u00e5ter.<\/p>\n<p><em>Without Mercy 1:<\/em><\/p>\n<blockquote><p>    Self indulgent rubbish <\/p><\/blockquote>\n<p><em>Tomorrow:<\/em><\/p>\n<blockquote><p>    Awful song <\/p><\/blockquote>\n<p><em>LFO Mod:<\/em><\/p>\n<blockquote><p>    Factory hated this tune. They were probably right <\/p><\/blockquote>\n<p>Fine saker.<\/p>\n<h4>TRACKS<\/h4>\n<p><strong>CD1:<\/strong> Sketch For Summer \/ Conduct \/ Sketch For Winter \/ Lips That Would Kiss \/ For Belgian Friends \/ Danny \/ Never Known \/ Jacqueline \/ The Missing Boy \/ Prayer \/ Spent Time \/ Without Mercy 1 \/ Without Mercy 2 \/ The Room \/ Tomorrow \/ L.F.O. Mod<\/p>\n<p><strong>CD2<\/strong>: What Is It To Me (Woman) \/ Otis \/ Requiem Again \/ Home \/ Contra-Indications \/ People&#8217;s Pleasure Park \/ My Irascible Friend \/ Fado \/ Sing To Me \/ Pigeon \/ Mello (Part 1) \/ Falling \/ Woman \/ Requiem For Mother<\/p>\n<p>Produsert av Vini Reilly, Martin Hannett og Keir Stewart <\/p>\n<p>[hr]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Durutti Column har i alle \u00e5r v\u00e6rt gitarist og pianist Vini Reillys lille lekegrind, ofte med bistand fra faste som tilfeldige partnere men i sum alltid Reillys musikalske visjon.<\/p>\n","protected":false},"author":2,"featured_media":2311,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,3],"tags":[42,63,21,4,446,447],"class_list":["post-2310","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-album","category-musikk","tag-england","tag-factory","tag-manchester","tag-post-punk","tag-post-rock","tag-the-durutti-column"],"_links":{"self":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/2310","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/comments?post=2310"}],"version-history":[{"count":1,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/2310\/revisions"}],"predecessor-version":[{"id":2312,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/posts\/2310\/revisions\/2312"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/media\/2311"}],"wp:attachment":[{"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/media?parent=2310"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/categories?post=2310"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.indiestadt.net\/wp-json\/wp\/v2\/tags?post=2310"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}