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\"Twice

Twice A Man, The Sound Of A Goat In A Room
\nXenophone, kz 1983
\nOmtale basert p\u00e5 reissue, Yellow Ltd., cd 1997<\/h3>\n

[dropcap]F[\/dropcap]\u00f8r Twice A Man eksisterte det en gruppering ved navn Cosmic Overdose, grunnlagt i G\u00f6teborg 1978 og ansett som \u00e5 v\u00e6re pion\u00e9rer p\u00e5 den svenske synthscenen. Dan S\u00f6derqvist og Karl Gasleben utgjorde kjernen i Cosmic Overdose, og etter to svenskspr\u00e5klige album gikk de for engelske tekster og ble til Twice A Man i 1981.<\/strong><\/p>\n

Som Twice A Man var S\u00f6derqvist \/ Gasleben rett s\u00e5 aktive under 80-\u00e5rene, men de forlot etterhvert pur pop og rettet stadig st\u00f8rre fokus mot musikk og lyd for teater, film og performance generelt. Dette en vei de har g\u00e5tt helt opp til i dag, med som resultat musikk hvis uttrykk preges av ambiente lydskulpturer.<\/p>\n

[pullquote-right]Et musikalsk rammeverk for albumet gjennom 2x \u00abRoom\u00bb og 3x \u00abGoat\u00bb[\/pullquote-right]<\/p>\n

«The Sound Of A Goat In A Room» er Twice A Mans andre album, opprinnelig utgitt som kassett p\u00e5 deres egen label Xenophone. Allerede p\u00e5 dette tidspunkt i duoens kronologi er det ikke vanskelig \u00e5 h\u00f8re bevegelsen fra fundament i pop til retning mer abstrakte, filmatiske toner. Albumets tittel, hvis er s\u00e5nn passelig s\u00e6r, gir et musikalsk rammeverk for albumet gjennom 2x «Room» og 3x «Goat». Der de to «Room» er dunkle \u00f8velser mens de tre variasjonene over «Goat» flyter i lyse og melodi\u00f8se poplandskap. Disse fem knytter en tr\u00e5d, et konsept, for platen og skaper en helhet som gir «The Sound Of A Goat In A Room» sterkere kraft enn hva de \u00f8vrige frittst\u00e5ende l\u00e5tene alene kunne gjort.<\/p>\n

\"Twice